How does the directer of hotel Rwanda use cinematographic techniques to develop tension in Paul’s ‘Epiphany’ scene?
In hotel Rwanda cinematographic is use many many times in Hotel Rwanda to change the perspective of the viewers view and view that the viewer is watching the film. This makes it much more interesting because it can also be in first person, another word for first person in point of view (POV), first person gets the viewers more involved and it keeps the viewers on the edge of their seats and makes them feel that they are involved in the scene that is on going at this moment in time. Another thing that keeps the viewer on the edge of their seat is the music in the background, this is called sound track. Here are examples of the soundtracks that have been use in the movie hotel Rwandan these sound tracks have been use to show how the character feels without the character saying it. These tunes make the viewer more alert to what is currently happening.
| Title | Length | |
|---|---|---|
| 1. | “Mama Ararira Pt. 1/Mama Ararira We!, Pt. 2” | 3:41 |
| 2. | “Mwali We!” | 1:09 |
| 3. | “Million Voices” | 4:23 |
| 4. | “Interahamwe Attack” | 2:48 |
| 5. | “Nobody Cares” | 4:12 |
| 6. | “Umqombothi (African Beer)“ | 4:53 |
| 7. | “The Road to Exile” | 4:47 |
| 8. | “Whispered Song” | 3:06 |
| 9. | “Finale” | 3:02 |
| 10. | “Ambush” | 2:49 |
| 11. | “Ne Me Laisse Pas Seule Ici” | 3:33 |
| 12. | “Mwari Sigaramahoro” | 2:22 |
| 13. | “Olugendo Lw’e Bulaya” | 5:54 |
| 14. | “Children Found” | 1:57 |
| 15. | “Icyibo” | 0:49 |

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